• Inspiration and Sketching:

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In this 28-minute video, I deconstruct Boris Vallejo's painting style with other great examples of current painters like Marc Masclans and try to copy and adapt them to my style. I am speaking of the importance of sketching and the  light of color. Any color that wants to be very bright should have white underneath. I work quickly to motivate myself and speed up the subsequent process of glazes.

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• Face part 1:

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It's 46 minutes in which I explain brushstroke to brushstroke (I do not skip anything like you tell me), and I explain the technique of sketching, unifying, sketching, unifying, till infinite. I emphasize the importance of shapes before anything else, looking at the anatomy of real photos and copying them.

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• Face part 2:

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We continue with 44 minutes where I give tones, clean zones, I'm wrong and I show you the solution. You will see the importance of the points of light.

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• Face part 3:

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In this 28-minute video we finalize the face by tweaking the 2D effect, telling you tricks like closing one eye to see the real effect. We detail factions, one by one, like the eyelids and nose, and I tell you ways to round them with paint, that is, we sculpt with paint. Also I told you the most important detail of the figure. The protected shadow of her nose.

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• Eyes:

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In this video of 21 minutes I tell you in detail all the steps to paint eyes and give a powerful look to the face.

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• Body by Airbrush and the "Not" Color Theory:

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It's 37 minutes in which I explain how to create a 2D effect by airbrush. Give greenish tones, oranges, play with the color underneath (always white) to enhance the orange lights. We continue to discover things of the great Boris Vallejo. I also speak of NO color theory.

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• Body by Brush:

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In these 20 minutes we finish with brush the work of the airbrush as always. We put maximum shadows and points of light so necessary to give "chicha" to the figure. We studied and painted accordingly the girl's abs, sculpting with paint.

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• Fabrics and bear's hair:

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It is 36 minutes in which I tell you the importance of painting each of the parts at the same time to go and see the whole perspective. I go from front to back, changing colors to convenience and trying to square everything. We paint the straps, we paint the hair of skunk or skunk with a blue tone to contrast and the skirt with a green tone that I like so much.

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• Leather, hair and GOLD (NMM):

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In this 20 minute video, we finish the leather straps and discover something that made me upgrade level, at least a little. The technique of Boris Vallejo to homogenize the different materials of the figures. We paint the hair with a reddish tone that causes it to bring the attention of the viewer to the face, the most important part of the figure. And finally, we painted the rings and other rivets with NMM of GOLD.

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• Sword NMM:

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It's a 37 minute minute step by step where I teach you the WET blending technique. We put orange, green, purple, bluish, red and we study the correct order of the lights in the metal and its reflections with the surroundings.

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• Terrain and Composition:

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In this 15 minute video I'm talking about composition, rule of quadrants, how to avoid parallel vertices ... blablabla bullshit. I tell you how to leave a beautiful stage in conjunction with the figure.

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